 Philip II (1527-98), King of Spain (1556-98) offers his son or
Allegory of the Battle of Lepanto, 1571; By Titian (Tiziano Vecellio) (1487-1576) - Museo del Prado Madrid ©
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Contrasting kingdoms
The court art of Philip II and Elizabeth I, as shown in the first two images of this gallery, displays the contrast between the kingdoms of Spain and Britain at the time of the Armada. Philip ruled the richest, most educated, most sophisticated, most technically advanced monarchy in Europe. England, by contrast, was regarded at the time as a backwater, a realm of lightly gilded savagery.
Whereas Philip had Titian to paint him, Elizabeth had to rely on barely competent locals, working in an old-fashioned style. Philip had an heir - the glory of a king and the hope of a kingdom. Elizabeth was childless. Whereas Elizabeth is depicted iconically, hieratically, without motion and almost without bodily solidity, Philip is confident enough to appear as a flesh-and-blood human being. Elizabeth's face is masked in make-up, while Philip is portrayed realistically, with the features recognisable.
Thus, wherever Philip's portraits went as diplomatic gifts they were reminders of his power - especially with his characteristic jutting jawline, evidence of his membership of the divinely elected Habsburg dynasty. Elizabeth, by contrast, suffered from two disqualifications for kingship, she was a woman in a patriarchal world, and a royal bastard whose claim to the throne was dubious.
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