Cubans trace roots to remote Sierra Leone village

The African songs have been kept alive in Cuba for generations

Related Stories

For decades the Ganga-Longoba of Perico have been singing the same chants, a tradition passed down the generations.

But until recently this Afro-Cuban community knew little of the origin of the songs, or of their own ancestors.

Now, thanks to the work of an Australian academic, Cuba's Ganga believe their roots lie in a remote village in Sierra Leone from where it is thought their relatives were sold into slavery more than 170 years ago.

"When I first filmed the Ganga-Longoba, I believed their ceremonies were a mixture of many different ethnic groups," says historian Emma Christopher, of Sydney University.

"I had no idea that a large number of Ganga songs would come from just one village. I think that's extremely unusual," she says.

The initial breakthrough came when a group in Liberia saw her footage of a Cuban ceremony and recognised part of a local ritual.

Spurred on to seek the songs' exact origins, the academic spent two years showing the film across the region until she confirmed that the Cubans were singing in the almost extinct language of an ethnic group decimated by the slave trade.

Lone woman photographed through window in Perico Almost a million Africans were forcibly shipped to Cuba during more than three centuries of the transatlantic slave trade
Young drummer with older man behind The Cuban Ganga still perform the songs their predecessors brought with them, almost unchanged
Preparing the drums Now an Australian academic believes she has traced the roots of those songs to one remote village in Sierra Leone where they once formed the initiation rites to a secret society
San Lazaro ceremony – woman with hands on head These days the main Ganga ceremony in Cuba is in December to worship Yebbe, their name for St Lazarus (San Lazaro), with dancing, drumming and singing into the early hours
Three men in field near a monument Once the Cuban Ganga discovered their roots in Sierra Leone they were impatient to visit - many in Perico wonder about their own origins.

Her enquiries finally led her to Mokpangumba, where villagers not only identified the Banta language but recognised songs and dances from the initiation ceremony for their own secret society, devoted to healing.

"That's the moment when they said: 'They are we'," Dr Christopher recalls, describing how the incredulous Africans began singing and dancing along with the Cubans on screen.

They identified nine of the songs in total, despite lyrics twisted over the decades and distance. For the villagers it was compelling proof that the people of Perico were family.

Safeguarding tradition

During more than three centuries of transatlantic trade, just short of a million slaves were shipped to Cuba. The vast majority were trafficked in the 19th Century as forced labour for the island's vast sugar plantations.

Traditional dance in straw costume in  in Mokpangumba The songs the Cubans have kept alive are in the Banta language, which is almost extinct in Africa now
Man holds a mobile phone trying to get reception The village of Mokpangumba in Sierra Leone has remained extremely isolated

Dr Christopher has singled out a woman known by her slave-name "Josefa" as the likely link between Perico and Sierra Leone. It's thought she arrived in the 1830s when the Gallinas slaving port was most active.

The local plantation owner includes a Josefa Ganga amongst the property in his will: below his real estate, and just above livestock.

Remarkably, Josefa survived to see the 1886 abolition of slavery in Cuba - far exceeding the average seven-year life expectancy for slaves here, where conditions were brutal - and she managed to safeguard the songs and traditions of home.

Divided 'family'

"Someone once said we originated from the Congo, but I always had doubts," says Alfredo Duquesne, an artist whose work has long been inspired by African themes but who has never known where his own roots lay.

Start Quote

I touched the soil and thought: 'This is it - I've come back'”

End Quote Alfredo Duquesne Afro-Cuban

"It bothered me. I wanted to know where I came from," he explains in his single-storey home crowded with woodcarvings, near where his ancestors would once have laboured in the cane fields.

The Santa Elena plantation has long gone. But many descendants of its former slaves still remain in the small town of Perico, including the group labelled "Ganga" by those who trafficked them.

Every December they meet to pray to Yebbe, as the Ganga call San Lazaro (St Lazarus), in a night-long ceremony of dance, drumming and song that has remained intact through the decades.

San Lazaro is a saint known for curing the sick, and is revered by Roman Catholic and syncretic faiths in Cuba.

It was Florinda Diago, thought to be Josefa's great-granddaughter, who preserved their heritage in Cuba; she then entrusted that task to the current "grande dame" of the Ganga community, a frail but feisty woman in her 80s known as Piyuya.

The healing secrets have been lost, but Piyuya can still sing every chant: songs of lament and joy for the dead and in celebration. In the 1980s she wrote out their lyrics for the first time, alongside hand-drawn flowers in a now yellowed and tattered notebook.

Organising a reunion for the divided "family" wasn't easy given restrictions on travelling from Cuba at the time, and limited resources. But eventually, four Cubans did make their ancestors' voyage in reverse - to Sierra Leone.

Alfredo Duquesne and Sierra Leone villager embrace in Mokpangumba The villagers of Mokpangumba see the Cuban Ganga as long lost relatives and gave them the warmest welcome
Elvira Fumero dances with villagers in Mokpangumba Elvira Fumero recalls the "explosion" when she first started singing, and the villagers joined in with her
x The incredible safeguarding of traditions has allowed Afro-Cuban descendants to discover their roots at last

"When I opened my mouth to sing, they just stood there staring," Elvira Fumero recalls of her arrival in Mokpangumba.

"Then it was like an explosion. They started to sing the responses, and dance with me. And I knew then that this was where the Ganga came from," she says, smiling.

The Cubans' journey - to Africa, and uncovering their own roots - is captured in a documentary by the Australian academic that shows the two groups singing and celebrating together as well as sharing more modern traditions like baseball.

It's still a rare experience for most Afro-Cubans.

"Cuba was cut off at a time when other nations in the Americas were going through black pride and fighting for some justice for what happened to their ancestors," says Dr Christopher, who points out that the island's 1959 revolution declared racism "solved".

"That left a lot of Afro-Cubans adrift, not knowing how to celebrate where they came from and be proud of it," she says.

Whilst many Cubans of Spanish descent have rushed to seek out their ancestry - and passports - Afro-Cubans have been far less anxious to do the same.

But for Alfredo Duquesne, visiting Sierra Leone changed everything.

"It was as if I'd just left the previous weekend. I touched the soil and thought: 'This is it. I've come back,'" he says, describing himself now as "at peace".

"At last I know where I come from," Alfredo says. "I'm not a stranger any more."

More on This Story

Related Stories

More Latin America & Caribbean stories

RSS

Features & Analysis

Elsewhere on the BBC

  • LettuceNo more needles?

    How scientists are growing lettuce leaves that produce the vaccines for diseases such as malaria

Programmes

  • The Wrecking Crew OrchestraClick Watch

    The Japanese dance group using wearable technology to light up their act

BBC © 2014 The BBC is not responsible for the content of external sites. Read more.

This page is best viewed in an up-to-date web browser with style sheets (CSS) enabled. While you will be able to view the content of this page in your current browser, you will not be able to get the full visual experience. Please consider upgrading your browser software or enabling style sheets (CSS) if you are able to do so.