All that has survived of Monteverdi's great second opera, Arianna - whose 400th anniversary falls in 2008 - is Arianna's Lament, which became so famous that, 40 years later, it was said to be on the shelves of every serious musician. Its arrangement for five voices stands as a pinnacle of Italian madrigal-writing.
The opening and closing works this lunchtime are the dance-inspired pieces that end the two parts of Monteverdi's Eighth Book of Madrigals: the first, Volgendo il ciel, representing War, the second, Il ballo delle ingrate, reflecting Love.
There will be no interval
I Fagiolini
Barokksolistene
Robert Hollingworth director
5.45pm - 6.30pm: Proms Intro Oboist Nicholas Daniel, conductor David Robertson and writer and critic Paul Griffiths discuss the music of Elliott Carter.
As well as marking Elliott Carter's centenary, tonight's Prom celebrates the 200th anniversary of Beethoven's Fifth Symphony, premiered in 1808. Carter's single-movement Oboe Concerto from 1986-7 finds, in the composer's words, 'the soloist accompanied in its widely varying, mercurial moods by a percussionist and four violas'.
Apart from opening with the most famous motif in the whole of Western music, Beethoven's Fifith is a study in coiled tension and release that never fails to thrill. And to open the evening, the full-string version of Beethoven's muscular Grosse Fuge, originally written as the composer's first thoughts for one of his late, great string quartets.
Nicholas Daniel oboe
BBC Symphony Orchestra
David Robertson conductor