In the remote southern Italian region of Basilicata is the unique and ancient cave-city of Matera, famous for its sassi (stone houses carved out of the caves and cliffs). Haunting and beautiful, the sassi sprawl below the rim of a yawning ravine like a giant nativity scene. At first sight, the sassi appear as a jumble of faded stone huts, where narrow alleys and stairways lead every which way and streets are sometimes rooftops, but behind the house-like facades are simple caves, inhabited since Paleolithic times.
Shame to fame
The sassi of Matera tell a tale of poverty, hardship and struggle, best
immortalised in Carlo Levi’s revealing book, Christ stopped at Eboli. The title suggests Basilicata was
beyond the hand of God, a place where pagan magic still existed and thrived.
Inside the cave dwellings, large families lived alongside their livestock until
as late as the 1950s, without electricity, running water or sewage. In such
unhygienic conditions, disease was rife, especially malaria. Instead of sweets
or money, children begged for quinine, a medicine used to treat malaria.
Reacting to outrage from the general public over the revelations of Levi’s
book, the government forcibly relocated the inhabitants of the caves into
modern housing in the “new town” on top of the cliff.
Ironically, Italy’s shame drew curious visitors to the sassi and after
being declared a UNESCO World Heritage Site in 1993, Matera’s fame has increased,
attracting a trickle of inhabitants back into the caves. Today, many sassi have
been restored and transformed into cosy abodes, restaurants and swish
cave-hotels. For a glimpse into the past, the Casa
Grotta di Vico Solitario gives an insight into cave furnishings and living
conditions of the 1950s.
The best way to experience Matera is to wander through the labyrinthine alleys
and streets of the two sassi
Barisano and Sasso
Caveoso, where history is etched in the cave dwellings and their
traditional house facades, in the pale stones underfoot and the enormous water
cisterns below, and in the many rock churches and individual hermitages cut
into the ravine.
These chiese rupestri (cave churches) were excavated by Basilian
monks fleeing persecution during the Byzantine Empire. Inside the chiese
rupestri are faded frescoes painted between the 8th and 13th Centuries. Chiesa
Madonna delle Virtu and San Nicola dei Greci in Sasso Barisano and Chiesa
di Santa Maria d’Idris (which is connected by a narrow corridor to the
recessed church of San
Giovanni in Monterrone) in Sasso Caveoso are richly decorated in frescoes.
The picturesque landscape of the Murgia
plateau surrounding Matera is also pockmarked with abandoned caves, ancient
settlements and rock churches. Here, the Cripta del Peccato Originale
(the Crypt of Original Sin) is known as the Sistine Chapel of the cave churches
for its well preserved 8th-century frescoes depicting dramatic Old Testament
For a stunning view of the sassi, head for the
Belvedere on the opposite side of the 200m-deep ravine formed by the
Gravina River. At dusk, with the cathedral spire rising above the stone-city
and evening lights softening the tufa rock, it is not hard to see why Matera
has featured in many Biblical films including Mel Gibson’s 2004 epic, the Passion of the Christ. Matera’s
beauty is unique, its sassi
timeless and enchanting.
The article 'Italy's secret caves' was published in partnership with Lonely Planet.