Suffolk

Ipswich Spill Festival music event disrupted by protester

Ipswich waterfront flats with balcony circled
Image caption The protester has been using a megaphone and siren to "disrupt" the twice-daily performances

The organisers of a festival are "enraged" by the actions of a protester who is disrupting a daily outdoor music event with a megaphone and a siren.

Clarion Call commemorates the centenary of the end of World War One and is played out using 488 loudspeakers across Ipswich's waterfront.

The protester is calling it a "pagan" event and has been making his views known during the performances.

Artistic director Robert Pacitti said it was "enraging and disrespectful".

Image caption Some of the 488 loudspeakers, positioned on top of flats on Stoke Quay

The protester has been speaking through a megaphone from the balcony of a flat on the waterfront. He says Clarion Call, part of the two-week Spill Festival, is a "pagan incantation".

The "sonic artwork" uses female voices, including Beth Gibbons of Portishead, Elizabeth Frazer of the Cocteau Twins, and a military wives choir. It happens twice a day and also uses a helicopter to relay the audio.

"Your noise is not welcome in my home," the protester said during Friday's performance.

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Media captionVideo of the preview of Clarion Call, before the protests began

But people trying to listen to the music have expressed annoyance at his actions. Angela Burroughs said "he's completely missed the point".

"It's nothing to do with religion - it's commemorating the end of World War One and he's ruining it," she said.

Image copyright Getty Images
Image caption Elizabeth Frazer and Beth Gibbons are two of the singers who have contributed to the recording of Clarion Call

Clarion Call

  • The music is based on Shirley Collins' version of the folksong Our Captain Cried, All Hands
  • Spill describes it as a commemorative piece to mark the centenary of the end of World War One
  • It has been produced in conjunction with 14-18 NOW, the WW1 centenary art commissioning body which was behind the 900,000 ceramic poppies at the Tower of London
  • The music changes with each performance, using independent sounds from eight banks of speakers
  • A three-minute version has been played every day since 25 October at 11:00 and an 11-minute version, complete with speakers mounted on a helicopter, is broadcast at sunset
  • It has been created by Melbourne-based artists Byron J Scullin and Supple Fox who based it on similar sonic artworks they produced for Hobart's Dark Mofo Festival and the Perth Festival in Australia

Mark Peck posted on Facebook: "Is there anything that can be done about the idiot with the megaphone who's been doing his best to ruin it the last few days?"

In response, Mr Pacitti wrote he had been "trying to have a dialogue with him".

"We are trying to get him to understand the memorial nature of it."

During a lunchtime talk about the piece, Mr Pacitti said attempts had been made to contact the protester, "but there's no reasoning with this man".

Suffolk Police said it been made aware of the protester, but he was not committing any offence.

The protester, Paul Dawson, called it an "evil-sounding cacophony".

"That noise was a disgrace and a dishonour to be associated with our fallen soldiers," he said.

Image caption Groups of speakers are mounted on buildings stretching from Stoke Bridge to the university buildings

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